Comment by Jorge Omar E. C. on February 2, 2013 at 1:10pm

Great Story.

Maybe you need to get better your molding technique.

But It's great your shortfilm.

Comment by Asya Lukin on February 2, 2013 at 10:09pm

Thank you!

Comment by grecodan on February 2, 2013 at 10:53pm

Lots of goodness in there! 

I really liked the style of the characters. And the sets were wonderful. I loved the lighting effects in the TV sequence.

Comment by StopmoNick on February 3, 2013 at 12:58am

Your clay characters, your sets, and your lighting really blend it all together into a consistent look.  I like your films very much!

Comment by Simone A. Tognarelli on February 3, 2013 at 6:38am

I liked... so much

Comment by Strider on February 4, 2013 at 11:15pm

Absolutely amazing!!! This is truly animation raised to an art form - not just cartoons for kids or somebody showing off their slick animation techniques. Mesmerising. How terrible to think you were making such a beautiful film that was ruined with your hands in every frame! So much work for each frame... 

Comment by Asya Lukin on February 4, 2013 at 11:29pm

Thank you Everybody very much for your comments! They are really encouraging!

Comment by John Horabin on February 5, 2013 at 11:12am

excellent work Asya, refreshing to see a simple human story given such weight and style- there is much to love here- the consistently crumbling set and character design meshes perfectly- especially considering the tale- the lighting and framing is masterful- your work reminds me of Suzie Templeton at times, in the detail of the sculpts to announce the character, and the slow ponderous edit that lets us linger over the emotions- you strike me as almost a claymation suzie templeton at times- and in my book, that is praise indeed.

the sound design is highly effective and seals the deal in terms of hooking us in, and your framing and shot design is at times exquisite- as soon as I resolved and understood the first clever focus pull shot, i was hooked. The nuances of emotional performance you coaxed out of these characters was also amazing, and perfectly paced...we talk a lot here about the 'ghetto' of supernatural themes that stop motion often falls into here, and this is a prime example of the other end of the spectrum. it has taken me a while to look at this, and now I have, i send major kudos- are you still in London?

John

Comment by Rodney Copperton on February 5, 2013 at 12:04pm

I love it. Granted, I only saw a couple videos here because I'm new to this site... but this is really great. The animation is smooth, sets are wonderful, lighting is great... looks professional. The character design looks scary because of the crudeness (on purpose, perhaps?). The voice-over & sound effects are also top-notch. What do you use for sound-mixing?

Comment by Asya Lukin on February 9, 2013 at 6:33am

Thank you very much! It is really encouraging to hear good words, especially now when I am struggling alone with the my new film. John, unfortunately I am not in London anymore, I had to return to Jerusalem.

Rodney, you asked about sound mix, it was made in Protools in the equipment of the college where I studied.

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Puppet Putty

Puppet Putty is formulated by clay animator Don Carlson. Properties include colors that do not bleed on your hands, a matte finish, cleans up with water, is very light weight, firm, non-greasy and has a silky texture.

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Hi! Sorry if this has been covered already, but I was wondering what the fastest workflow for wire removal in photoshop would be? What I've done so far is imported all of my 80 frames (including the clean plate background) as a psd file, each frame…Continue

Tags: removal, wire

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Tags: equipment, animation, studio, lights

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Started by Angus Lamont in YOUR STOPMO FILM PROJECT. Last reply by Angus Lamont 23 hours ago. 13 Replies

Hi I am planning a short film tribute to the famous British Comedian/Ukulele Player, George Formby. Some of you may have heard me talking of this. The thing is I have a Canon DSLR but no software. The reason why is that I have virtually no money so…Continue

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Started by Colleen McWatters in CHAT BOARD. Last reply by jowanneke yesterday. 6 Replies

Hi All, This may not be the right forum to ask this question, but here we go. I am currently working on a stop motion animation web series. After 5 years of hard work, we are finally in production of season 1 which consists of 8 episodes that are 20…Continue

Choosing a New Laptop For Animation

Started by Yorwick in STOP MOTION & COMPUTERS. Last reply by Simon Tytherleigh on Wednesday. 2 Replies

I am considering a new laptop, but I want to make sure I make the right choice before investing. It is very important to me that it is still compatible with the animation and editing software that I am used to.My current computer is a MacBook Pro…Continue

Feedback

Started by Hairyhands in NEWBIE CORNER. Last reply by Simon Tytherleigh on Wednesday. 4 Replies

Hi guysWas looking for feedback on my new video (the book is the main part of the stop start) and some other parts but what I was really looking for was feedback with the story telling. Iv been doing it for so long now that it makes sense to me but…Continue

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