Comment by Jorge Omar E. C. on February 2, 2013 at 1:10pm

Great Story.

Maybe you need to get better your molding technique.

But It's great your shortfilm.

Comment by Asya Lukin on February 2, 2013 at 10:09pm

Thank you!

Comment by grecodan on February 2, 2013 at 10:53pm

Lots of goodness in there! 

I really liked the style of the characters. And the sets were wonderful. I loved the lighting effects in the TV sequence.

Comment by StopmoNick on February 3, 2013 at 12:58am

Your clay characters, your sets, and your lighting really blend it all together into a consistent look.  I like your films very much!

Comment by Simone A. Tognarelli on February 3, 2013 at 6:38am

I liked... so much

Comment by Strider on February 4, 2013 at 11:15pm

Absolutely amazing!!! This is truly animation raised to an art form - not just cartoons for kids or somebody showing off their slick animation techniques. Mesmerising. How terrible to think you were making such a beautiful film that was ruined with your hands in every frame! So much work for each frame... 

Comment by Asya Lukin on February 4, 2013 at 11:29pm

Thank you Everybody very much for your comments! They are really encouraging!

Comment by John Horabin on February 5, 2013 at 11:12am

excellent work Asya, refreshing to see a simple human story given such weight and style- there is much to love here- the consistently crumbling set and character design meshes perfectly- especially considering the tale- the lighting and framing is masterful- your work reminds me of Suzie Templeton at times, in the detail of the sculpts to announce the character, and the slow ponderous edit that lets us linger over the emotions- you strike me as almost a claymation suzie templeton at times- and in my book, that is praise indeed.

the sound design is highly effective and seals the deal in terms of hooking us in, and your framing and shot design is at times exquisite- as soon as I resolved and understood the first clever focus pull shot, i was hooked. The nuances of emotional performance you coaxed out of these characters was also amazing, and perfectly paced...we talk a lot here about the 'ghetto' of supernatural themes that stop motion often falls into here, and this is a prime example of the other end of the spectrum. it has taken me a while to look at this, and now I have, i send major kudos- are you still in London?

John

Comment by Rodney Copperton on February 5, 2013 at 12:04pm

I love it. Granted, I only saw a couple videos here because I'm new to this site... but this is really great. The animation is smooth, sets are wonderful, lighting is great... looks professional. The character design looks scary because of the crudeness (on purpose, perhaps?). The voice-over & sound effects are also top-notch. What do you use for sound-mixing?

Comment by Asya Lukin on February 9, 2013 at 6:33am

Thank you very much! It is really encouraging to hear good words, especially now when I am struggling alone with the my new film. John, unfortunately I am not in London anymore, I had to return to Jerusalem.

Rodney, you asked about sound mix, it was made in Protools in the equipment of the college where I studied.

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Puppet Putty

Puppet Putty is formulated by clay animator Don Carlson. Properties include colors that do not bleed on your hands, a matte finish, cleans up with water, is very light weight, firm, non-greasy and has a silky texture.

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The Woods Where We Played

Started by Christopher Olsen in YOUR STOPMO FILM PROJECT. Last reply by Zaid 4 hours ago. 10 Replies

Hey guys, I've been a REALLY long time lurker, since the old boards, but I rarely made the time to really dig in and post a lot. Instead I would just find the info I needed, use it shamelessly and rarely even take the time to say "Hey thanks, that…Continue

Shanks FX Practical/Stop-Motion Effects

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I thought that some folks here might be interested in this…http://www.moviemagicnow.com/There are some really cool practical effects that are covered.Here is an example video…Here is his…Continue

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I want to pour polyurethane foam inside a latex rubber skin puppet to fill the negative space

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I want to pour polyurethane foam inside my latex rubber skin puppet to fill the negative space between the skin and the armature. The brand is FlexFoam-it III (the three pound density). I am at the stage in the construction of my puppet where I can…Continue

Stop motion Slider - Motion Control system recommendation

Started by Jantsch Niko in ANIMATION TOOLS & EQUIPMENT. Last reply by Simon Tytherleigh yesterday. 2 Replies

hello,i´m currently looking for an affordable Motion control system, do you have any suggestions?(preferable a system that works together with dragon stop motion)there is the axis360-pro from cineticsor the slider plus pro from edelkroneWhich system…Continue

DARK EARTH

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This is a must-fund project for a must-see movie.[url]https://www.indiegogo.com/projects/dark-earth-period-set-science-fantasy-adventure[/url]Continue

Rig removal with a camera move

Started by Christopher Olsen in STOP MOTION & COMPUTERS. Last reply by Christopher Olsen on Thursday. 10 Replies

Hey guys, what are everyone's thoughts/tips on rig removal in a moving camera shot? Example would be a pan or a tilt shot where the camera is continuously moving at the same time as the character is moving.Obviously the normal "take a static master…Continue

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