I had a longer description of this project, but here is a better and shorter one:

This is a scene for a project (my space opera: THE NOLVIN PROJECT) that I'll work on 40 or so years later in my life. This scene, however, I'm creating now. It is a blend of Stop-Motion and CGI in a way never done before (don't count that as factual, I could be wrong). While many modern stopmotion films and shorts that have good CG characters, backgrounds, sets, etc, they not always interacting with the Stop-motion elements.That has sorta bothered me.

This short combines Stop-motion with 80's style mecha action in a Sci-Fi setting with some scenes having Kanada-style animation and others having Koichi Ohata/ James Cameron/John Carpenter filming styles done.

This short (and years later, its film) will be very bloody, very violent, very serious, and should not be viewed by people who are not comfortable watching those kinds of things. I'll create my Wallace and Gromit tribute, "Sparky's Saturday Night," right after this project.


This is a one-man project and there have been many changes during its creation. It is now, however, steadily progressing toward total completion.

I hope you will all enjoy the end-result when it is done.

until it is completed:

Stay tuned, and stay frosty.

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I want to prove myself as an animator and as an artist. I saw some different Stop-Motion/CGI combination projects other animators (with way more experience than me) did. Although they were cool films and shorts, I was always bothered with how the CGI elements seemed to be neglected and put aside for the Stop-Motion. Why not have both get good production treatment? Why not both be equals to make exciting movies? That's what I'm trying to do.

The other aspect of this is to create anything with little cost, and make it look like it had a good budget. The most expensive thing for this project is the Stop-Motion, at just $210 U.S. dollars.

What I mean by "paper-thin plot" is that this is really just a short that shows what I can do as an animator. It's a "show-off" short (for the lack of a better name).

Not many technical aspects to this project for both the CGI and the Stop-Motion elements.

If I had more money and time (and if this wasn't a one-man project), I'd make everything about this project Stop-Motion. Because of those obstacles, this is what I am doing. I'll probably make all planned future projects in this manner, with the most important elements, characters, and organic creatures(except humans) as Stop-Motion puppets, and everything else being CGI.


Sorry I rambled on.
I tend to talk and type too much.

Here's one of the main inspirations for this project and what this project's final scene will pay tribute to:
mecha master Koichi Ohata's MD Geist.
Geist's battle with the Final Striker(Final Terminator in the comics)

https://www.youtube.com/watch?v=Tv5skjhD8gE
(I had the honor of being able to meet him in person).

The other inspirations include:
Harryhausen (why I am a Stopmoe),

The two Devilman OVAs,

Roughnecks Starship Troopers Chronicles,

Koichi Ohata's movies,

Godzilla (my favorite character since I was 2),

and too many others to list.

wow... well, good luck to ya! This sounds like one of those milestone projects. Something that can allow you to utilize and challenge the inspirations of your past, and let you know where you stand to continue to improve and develop your own "style" in the future. Very cool.

Best of luck to you! I'm excited to see this develop further.

Thank you so much! I really appreciate the encouragement.

Mike said:

wow... well, good luck to ya! This sounds like one of those milestone projects. Something that can allow you to utilize and challenge the inspirations of your past, and let you know where you stand to continue to improve and develop your own "style" in the future. Very cool.

Best of luck to you! I'm excited to see this develop further.

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