So for the film I'm making right now, I've got two main characters that are goats. As such, I was wanting to give them both ears that can be moved and animated. I've also got an Ox/Cow character that I was wanting to have movable ears and mouth as well. I've included reference pictures below (the goats are going to have 3D printed replacement mouths that attach with a magnet, while the Ox I wanted to have a rigged mouth).

So my question is, does anyone have any advice for the best way to both rig and cast the ears and mouths for these characters so I can manipulate their respective parts? Right now, I've got some OOMOO 30 with which to make each of their molds, after that, I was wondering if anyone knew which silicone would be best to cast all the heads. Something like Dragon Skin? For the Goats, whose ears are the only thing that need to move, should I cast the main head in plastic and have the ears attach somehow? Any way I should go about that?

As for the rigs themselves, I've seen some folks use a wooden block with wires attached to it. Any best practices for doing so in a manner where I can fix the ear or mouth wires in case they break?

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You're right, animals express a lot with their ears, so it is worth making them animatable.  

I usually have a piece of armature wire running along the edges of animal ears.  Sometimes I divide the mould among the ear line, and the ears are cast in foam latex or silicone along with the head.  But often, with foam latex puppets I add the ears afterwards and make them in liquid latex.  This gives me more of a thinner, translucent ear.  In that case, I pre-drill a couple of holes in the head block (usually a wooden block) and place a short piece of wire in the holes so it sticks out enough for me to find it inside the cast head.  It stops foam latex from filling the holes. Then I cut a small slit in the foam so I can remove the wire, and epoxy glue in the wire with the ear attached.

I also do this with heads made from a hard material, only with those I have usually sculpted in Aves Apoxie 2 part epoxy clay , or Fimo or Super Sculpt and baked it, so there is no mould making.  I can drill the holes to attach the wires directly in the epoxy/Sculpey and glue them in.

Liquid latex does not bond with silicone, so for a silicone head I would cast the ears in silicone as well.  If it works to have the ear as part of the head sculpt, do that.  If not, make them separately. Each ear would have  2 part mould, usually of plaster.  A skin would be painted on each half, then the halves put together with the wire inside, and  the mould filled with silicone, leaving enough wire sticking out to glue into the head block.

2 strands of 1mm wire armature wire, twisted together, work well for ears.  1 strand of 1.5mm (1/16th") can also work.  I spray glue  some very thin foam around the wire first, like the foam bandage underwear which is around 1mm thick, because it gives the silicone something to grip onto.  Then I usually paint a little silicone over that as well as painting a skin onto the mould.

I use wire in the mouth as well for almost all my puppets.  Replacement mouths work best on hard heads.   Here's a silicone head being made, showing the armature and wires inside - human so no ear wires I'm afraid:  https://www.youtube.com/watch?v=5fWdZnQRzB0&t=46s

This latex buildup head does have movable ears with ear wires, covered first with a sheet of 1mm foam to fill in the middle, which is coated in latex and pressed flat with my fingers before it dries, then the rim built up with more latex:  https://www.youtube.com/watch?v=4uG-ZIOXZ7w&t=1s  

In case the wires break -

Before you cast the puppet, you can drill in a couple of spare holes close to the original wire holes.  Then if it does happen, you could snip off the broken wires and stick in new ones.  I haven't ever had an ear wire break, but I have done this pre-drilling of extra holes for arms and legs sometimes.  It is easier drilling the bare block than when it is covered in latex or silicone that is likely to wind around the drill bit.  

But if you didn't think of that, and you do have to drill new holes after a puppet is made, a good trick is to slit the rubber and place a piece of aluminium tubing in, right against the block inside, so you can put the drill bit inside that.  That way it can spin, and not grip the rubber and pull it off.

Holy crap, thanks Nick! So much great info you've posted here, thank you! What I'm thinking of doing, based on what you said, for the puppets with the replacement heads is to cast the base head in a hard plastic silicone, what I have now is this. Then, once I have that hard head base, doing what you said with drilling a hole in the head to make a hole for the ear armature, which I'll mold in a softer silicone that'll be strong and flexible. I can then glue the end of the armature ear wire into the hard plastic head. I thought this might work since the head would be hard and the affected area will be covered with flocking fur in the end.

For the Ox, I like the method you showed in your first video that you posted. Maybe I'll just do like you did in the second video and make the head block with the ear armatures in there so that way I can cast the whole head as one big piece, out of that softer, DragonSkin silicone.

Does this sound like a sane course of action? My biggest trepidation is if gluing the ear wire into the plastic head will work alright. Like you suggested, I think a hard plastic head would be best for the replacement mouths, so I thought that head would give support enough as well for the ear bits too.

You have great looking character designs, so I hope you will be able to post here when you have made the finished puppets - and better still, done a little animation with them!

Hey y'all, it's been a while, wonder if anyone's still eyeing this thread! After a bit of time working on other aspects of the film, I'm finally getting down to the casting after making the molds last week. I went ahead and did the cast for my first character (seen with the big horns and ears in the second to last photo from above). Overall the cast looks good, except one thing...it seems to be stuck in the mold, and I'm wondering if anyone has a idea of if there's a way to get it out without breaking the mold or the cast.

As you can see, comparing it with the original photo above, j placed the models mold line in the middle of the face. As a result, the bulbous eyes of the character are inside of the mold. Along with that, in the opposite end fo the head on the bottom, the ball-and-socket "head" that connects the head to its armature is within the mold, so that when I demolded the cast it would have the ball end sticking out the bottom so it could attach to the armatures neck.

But yeah, as I said, I'm having a real good bit of trouble pulling this cast out. If anyone had an idea for a non-destructive way to get this cast out, I'd love to hear, but if it's not retrievable without breaking the cast or mold I understand. If so, I'll probably need to mold this a different way, would love any ideas to make it more manageable in the future. Thanks for the help so far though! 

If less than half the sphere of the eyeball protrudes into the mould, it should come out.  If more than half, it could be really difficult.  But the mould is in silicone, so it can flex I think?  Often I have to slip an ice cream paddle or tool into the mould to pry and compress the flexible bit (for me, usually the head cast) and peel it away a bit at a time as I can reach it.  It probably sticks initially, with a bit of a velcro sound as it pulls away, after that it shouldn't be stuck, in that one spot at least.  Work your way around a few times.  But it will still need some kind of tool pulling it away where it is a tight fit.

If the fails, make a cut in the mould, but not straight.  Just down one side, leaving it still attached on the other.  The idea is you can open up that side, enough to get the cast out, but it is still connected.  A bit of zig zag - this gives the 2 cut halves a key so they go back together in the right spot.  You may need  a case mould (mother mould) - a hard shell on the outside for the rubber mould to sit in, that holds the halves together in the right shape.  Make that before you cut, then take it off and cut.

If you knew from the beginning you were going to make a cut in the mould, you could have put a ridge in it so you can cut along the middle of the ridge, that way the ridge sits into a groove in the outer case mould and that pinches the cut bit together.  I know someone who makes all her moulds this way, rather than making a clay wall and making 2 halves of the mould.  Seems to work for her.  

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